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παραδείγματα χρήσης (πολλές φράσεις με μετάφραση)
ετυμολογία

von Weber"s triangle - translation to αραβικά

GERMAN COMPOSER

Carl Maria Weber; Carl Maria Friedrich Ernst von Weber; Carl Maria Friedrich Ernest von Weber; Karl Maria von Weber; Carl von Weber; Karl Maria Friedrich Ernst, Baron von Weber; Von Weber; Von weber; Karl Maria Friedrich Ernst von Weber; Weber, Karl Maria Friedrich Ernst von; Carl maria von weber; Carl maria von webber; Carl-Maria von Weber; Carl Maria Von Weber; Cmvw; C. M. F. E. von Weber; C. von Weber

von Weber's triangle

‎ مُثَلَّثُ فون ويبر:في أخمص القدم‎

equilateral triangle

$An equilateral triangle. It has equal sides (<math>a = b = c</math>), equal angles (<math>\alpha = \beta =\gamma</math>), and equal altitudes (<math>h_a = h_b = h_c</math>).$

GEOMETRIC SHAPE WITH THREE SIDES OF EQUAL LENGTH

Equilateral triangles; Equalangular triangle; Equiangular triangle; Equilateral Triangles; Equilateral Triangle; Regular Triangle; Regular triangle; Equalateral triangle; Equilateral; Isopleuron

مثلث متساوي الساقين

equilateral

$An equilateral triangle. It has equal sides (<math>a = b = c</math>), equal angles (<math>\alpha = \beta =\gamma</math>), and equal altitudes (<math>h_a = h_b = h_c</math>).$

GEOMETRIC SHAPE WITH THREE SIDES OF EQUAL LENGTH

Equilateral triangles; Equalangular triangle; Equiangular triangle; Equilateral Triangles; Equilateral Triangle; Regular Triangle; Regular triangle; Equalateral triangle; Equilateral; Isopleuron

مُتَساوِي الجَوانِب

Ορισμός

equilateral

[?i:kw?'lat(?)r(?)l, ??kw?-]

¦ adjective having all its sides of the same length.

Origin

C16: from Fr. equilateral or late L. aequilateralis, from aequilaterus 'equal-sided' (based on L. latus, later- 'side').

Εμφάνιση περισσότερων ορισμών

Βικιπαίδεια

Carl Maria von Weber

Carl Maria Friedrich Ernst von Weber (18 or 19 November 1786 – 5 June 1826) was a German composer, conductor, virtuoso pianist, guitarist, and critic who was one of the first significant composers of the Romantic era. Best known for his operas, he was a crucial figure in the development of German Romantische Oper (German Romantic opera).

Throughout his youth, his father, Franz Anton, relentlessly moved the family between Hamburg, Salzburg, Freiberg, Augsburg and Vienna. Consequently he studied with many teachers – his father, Johann Peter Heuschkel, Michael Haydn, Giovanni Valesi, Johann Nepomuk Kalcher and Georg Joseph Vogler – under whose supervision he composed four operas, none of which survive complete. He had a modest output of non-operatic music, which includes two symphonies; a viola concerto; bassoon concerti; piano pieces such as Konzertstück in F minor and Invitation to the Dance; and many pieces that featured the clarinet, usually written for the virtuoso clarinetist Heinrich Baermann. His mature operas—Silvana (1810), Abu Hassan (1811), Der Freischütz (1821), Die drei Pintos (comp. 1820–21), Euryanthe (1823), Oberon (1826)—had a major impact on subsequent German composers including Marschner, Meyerbeer, and Wagner; his compositions for piano influenced those of Mendelssohn, Chopin and Liszt. His best known work, Der Freischütz, remains among the most significant German operas.

https://en.wikipedia.org/wiki/Carl Maria von Weber